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On today's episode we're talking with Wyrmwood director Kiah Roache-Turner.
In today's episode we talk to Documentary filmmaker Christopher Rufo about how their documentary went on to make 1.5 million through mostly self distribution. We will also discuss his program filmmaker.mba which teaches the techniques they used to connect with their niche market.
Today I'm talking with Shant Hamassian about his short film "Night Of The Slasher" and how it was accepted by SXSW and many other festivals.
Alex Ferrari of Indie Film Hustle drops by to talk about his latest project, This Is Meg.
Indie Rights, Inc. is an American distributor of independent films, based in Los Angeles, California. Indie Rights is a subsidiary of Nelson Madison Films and was incorporated in 2007 to act as distributor for other independent filmmakers. The corporation began as a private MySpace group where the makers of independent films could get information about the changing face of film distribution; founders Linda Nelson and Michael Madison created Indie Rights so that distribution contracts could be signed by a legal entity. The corporation distributes films largely through video on demand services, though more recently it has overseen suchtheatrical releases as We Are Kings and Fray, both in 2014.
Linda Nelson is a former investment banker and computer systems analyst based in Los Angeles since 1980; Michael Madison moved there in 1999 from Duncanville, Texas, to work as an actor and film producer. They first partnered in 2000 to create and distribute the NSYNC concert film Bigger Than Live for IMAX theaters. In 2003, they formed their own company with the goal of making independent features using local talent. Madison acts and handles writing, producing and directing duties; Nelson writes and produces while developing distribution plans for other filmmakers.
Bigger Than Live broke even during its theatrical run, but Nelson and Madison "failed to tie up the necessary rights in our initial contract" and lost home video distribution in a lawsuit that shut down their production office. They moved into "more humble digs" and tried again with the crime thriller Shifted, learning the ins and outs of distribution while attending film festivals. Nelson soon discovered that the chances of getting a film seen at a major festival such as Sundance or Cannes without having connections in the industry "are slim to nothing." The company began a private group on MySpace called Indie Co-op, where filmmakers could get details on self-distribution, including attendance at smaller festivals where films are likely to benefit from local coverage and reviews.
Nelson believed that film distributors didn't have any systems for accountability in place and that they tended to buy the rights to entire catalogs rather than individual films, so she and Madison decided to do it themselves. Since they needed a legal entity to make distribution contracts valid, they incorporated Indie Rights in 2007. Nelson said doing both film production and distribution gives them a greater understanding of the challenges that filmmakers face than would a company that focuses only on distribution.
By 2013, Indie Rights had built up enough name recognition that video on demand providers began approaching the corporation for information on available independent films rather than waiting to be contacted. Those features are steered mostly to such platforms as Amazon Unbox, Google Play, Hulu and iTunes, where the filmmakers can earn up to 50 percent of the revenue. Innovations include searchable film rentals on YouTube and through video game consoles, allowing filmmakers new sources of income—in 2011, Indie Rights had "little films making five grand a month on PlayStation". In 2014, the company was the first independent studio included on M–GO, a subscription service supported by "all six of the major studios" that offers films for home viewing that are still playing in theaters.
Filmmaker and Baylor University professor Christopher Hansen turned to Indie Rights in 2015 when his film Where We Started failed to make the major festival circuit. After a short run at the Arena Cinema Hollywood led to favorable reviews, the film was released via digital platforms. Theatrical releases by Indie Rights also include 9 Full Moons (2013), featuring Amy Seimetz and Harry Dean Stanton; We Are Kings, the feature-film debut of America's Got Talent winner Bianca Ryan; and Druid Peak, starring Spencer Treat Clark and winner of Best Feature Film at the 2014 Omaha Film Festival.
Indie Rights became part of the Independent Online Distribution Alliance in 2008. Nelson and Madison also conduct seminars for independent filmmakers looking to build an audience through social networking. DocumentaryTelevision.com said Nelson "really gets what it takes to win with Facebook."
Starting in 2010, the budgetary constraints of independent film-making required that Nelson Madison Films go tapeless. Delivered, their second "crime thriller", was their first to utilize Red Digital Cinema cameras and Adobe CS5 production software. Madison directed, and played the lead role in an "uneven performance" where "at times he's spot-on".
Simon Cade is the founder or DSLRGuide, a popular blog and YouTube Channel. To learn more about Simon you can visit his webiste at http://dslrguide.tv/ or check out all of the great videos on his YouTube Page. At the time of writing this Simon has 221,946 subscribers.
On this episode we talk all about YouTube as well as how to start making short films.
In 2013, David F. Sandberg made a little horror short film "Lights Out" for an online Horror Short competition. The film not only won, but became a viral sensation. Not too long after that, Sandberg started getting calls from Los Angeles from agents and managers.
Fast forward to Sandberg sitting in an office with James Wan (The Conjuring, Saw) talking about making "Lights Out" into a feature.
On today's episode we're going beyond the Hero's Journey to discuss mythic themes in storytelling. My guest, Pamela Jay Smith, is an expert on the topic of mythology and understanding archipaths.
On today's show we're talking with Pat Flynn of SmartPassiveIncome.com and the Ask Pat Podcast. I was extremely excited to introduce my audience to Pat because he has been so instrumental in the founding of the IFA as well as helping me to understand the world of online marketing. One of the key concepts we discuss is the way that filmmakers can start to build their audience and look at their films as passive income generators.
The concept of passive income is pretty straight forward. Instead of generating an income through hourly income, passive income is income generated from things like ebooks, videos, affiliate marketing, etc. over time. One of the most alluring aspects of passive income is the idea that at some point, you will create enough passive income that you will not need to work for an hourly wage. Although this sounds nice, I have found in my own experience that most people typically like to have something they do to earn a living as well. Pat himself hasn't let a monthly a 6 figure monthly income slow him down. But I do think it's important for filmmakers to learn Pat's techniques to be ahead of the game when it comes to sales and distribution.
A few years ago, I was blown away by the Indie Film "Spring". It was a nice break from the long line of horror films that were basically cookie cutters of other better horror films. This is the second film collaboration between Justin Benson and Aaron Moorhead. They started with the love budget surreal thriller "Resolution", which they paid for out of pocket.
In this episode I am talking with Jeremy Gardener and Christian Stella. Two of the creators behind the wildly popular zombie film "The Battery" and the upcoming "Tex Montana Will Survive". We discuss what it was like to make an indie film for 6k dollars, what happened after the film came out, and how their experiences have made them want to change the way they approach distribution by offering their latest film for free.
To learn more about their crowdfunding campaign on Kickstarter go to www.texmontana.com
Nancy Gerstman is co-president and co-founder of Zeitgeist Films. She has worked in all aspects of film distribution and exhibition including a stint at Landmark Theatre Corp., the largest independent theatre chain in the US. She is in demand as a juror, panelist and commentator on issues related to independent and foreign language film and is Permanent Artist-in-Residence in the Master's Program in Media and Communication Arts at CCNY. She was born in Queens, New York.
Zeitgeist Films is a New York-based distribution company founded in 1988. We acquire and distribute the finest independent films from the U.S. and around the world.
Zeitgeist has distributed first films by such notable directors as Todd Haynes, Christopher Nolan, Francois Ozon, Atom Egoyan and the Quay Brothers. Our catalog includes films from the world's most outstanding filmmakers including Agnes Varda, Guy Maddin, Olivier Assayas, Jia Zhang-ke, Abbas Kiarostami, Derek Jarman, Nuri Bilge Ceylan, Peter Greenaway, Philippe Garrel, Yvonne Rainer, Jan Svankmajer, Andrei Zyvagintsev, Laura Poitras, Astra Taylor and Raoul Peck.
Zeitgeist is renowned for ground-breaking documentaries which include THE CORPORATION, TROUBLE THE WATER, LAST TRAIN HOME, MY COUNTRY, MY COUNTRY, BALLETS RUSSES, MANUFACTURED LANDSCAPES, INTO GREAT SILENCE, THE GLEANERS AND I, DERRIDA, UP THE YANGTZE and BILL CUNNINGHAM NEW YORK.
Six Zeitgeist films have been nominated for Academy Awards and one, NOWHERE IN AFRICA, won the Academy Award for Best Foreign Language Film. Our films have been honored by festivals throughout the world with Grand Prizes at Cannes, Berlin, Sundance, Tribeca, and IDFA in Amsterdam.
The Museum of Modern Art honored Zeitgeist with a month-long, 20th anniversary retrospective of our films in 2008.
Today I'm talking with one of my heroes, legendary film producer Roger Corman. In this interview we discuss what filmmaking is like today for the Hollywood veteran and we discuss some of Corman's favorite memories and films.
We also hear from Jonathan Demme and Ron Howard about their experience working with Mr. Corman as well as a fun clip from Conan.
PILAR ALESSANDRA is the director of the popular writing program “On The Page” and author of “The Coffee Break Screenwriter.” A sought-after teacher and lecturer, she’s traveled the world teaching screenwriting, pitching and story analysis. As a consultant, Pilar has helped thousands of writers create, refine and sell their scripts and was named “Cream of the Crop” in Creative Screenwriting’s Script Consultant Survey. Her students and clients have sold to Disney, DreamWorks, Warner Brothers and Sony and have won prestigious competitions, including the Austin Film Festival and Nicholl Fellowship.
Pilar jump-started her career in film as a script reader for Amblin Entertainment. With the formation of DreamWorks, she became Senior Story Analyst and a reader liaison between the studio and Robert Zemeckis’s company ImageMovers. Her expert script analysis was also sought out by The Robert Evans Company, Cineville Entertainment, Handprint Entertainment and Saturday Night Live Studios. Work at Interscope Communications led her to a position as Senior Story Analyst for Scott Kroopf’s production company Radar Pictures.
Pilar was later bitten by the “teaching bug” while teaching screenwriting and story analysis at the UCLA Writers’ Program. In 2001, she started her own company “On the Page,” and in 2004 opened the On the Page Writers Studio in Sherman Oaks, California. In the interest of expanding access to her teaching tools, Pilar created the instructional DVD “On the Page” and presents the weekly “On the Page Podcast” with guests from within the industry. Recently, Pilar was listed as one of LA Weekly’s top 100 people in their “Best of LA People” issue.
Today we're discussing comedy in writing with Steve Kaplan. Steve is the author of the book "The Hidden Tools of Comedy" as well as the founder of the HBO Workspace and the HBO New Writer's Program.
He is a consultant and script doctor for Dreamworks, Disney, Paramount, Touchstone and many others. and is also a highly sought-after instructor at UCLA, NYU, Yale and other top universities.
When it comes to learning screenwriting, it is rare to find a book from someone who is actually a working writer. In this episode of the Indie Film Academy Podcast, I talk with Alan Watt about his career as a screenwriter and many of the ideas in his book The 90-Day Screenplay.
There are few people who have had the opportunity to witness the Golden Age of filmmaking at close range like Fraser Heston. His earliest memories are going to the set of the film Ben Hur and dressing up like his father, legendary actor Charleton Heston.
In this episode we take a walk down memory lane and also get some great insight into the directing process.
More about Fraser from Agememnon Film's Website:
FRASER C. HESTON, the son of actor Charlton Heston and Lydia C. Heston, began his film career in Hollywood in 1955, on the back lot at Paramount Studios, playing the infant Moses in Cecil B. DeMille’s TEN COMMANDMENTS. His father, of course, portrayed the adult Moses, though Fraser has not forgiven him for taking first billing. Fraser had an extraordinary childhood, travelling the world with his parents, essentially growing up on film sets, giving him a love of adventure, travel, and a life-long fascination with filmmaking.
Fraser studied marine biology at UCSD and English and writing at UCLA. He became a licensed white-water river guide on Idaho’s Salmon River at age 19. He soon turned his focus on film, and wrote his first produced screenplay at 21, THE MOUNTAIN MEN for Columbia pictures. Since then he has written, produced and/or directed numerous feature films, television movies, and documentaries, including MOTHER LODE, starring Charlton Heston and Academy Award winner Kim Basinger, which brought about the founding of his production company, Agamemnon Films, in 1981. He co-produced THE PROUD MEN for ABC; wrote and produced A MAN FOR ALL SEASONS for Ted Turner’s fledgling network TNT, and wrote, produced and directed the critically acclaimed TREASURE ISLAND (a lifelong dream), starring his father and Academy Award winner Christian Bale. Fraser also wrote, produced and directed the Sherlock Holmes film CRUCIFER OF BLOOD for Turner.
Fraser directed the Stephen King thriller NEEDFUL THINGS and the family adventure film ALASKA, both for Castle Rock Entertainment/Columbia Pictures. He also produced the highly successful and critically-acclaimed documentary CHARLTON HESTON PRESENTS THE BIBLE, for A&E and Agamemnon, and the documentary CHARLTON HESTON & BEN-HUR, for Warner Brothers. Most recently, he wrote, produced and directed the award-winning documentary THE SEARCH FOR MICHAEL ROCKEFELLER, solving the mystery of the famous scion’s disappearance in New Guinea in 1961. Fraser has also written, with Heather J. McAdams, the screenplay for the feature version of that film, as well as the contemporary thriller DESOLATION SOUND, for Agamemnon.
Always an avid outdoorsman, sailor, mountaineer, photographer and fly fisherman, Fraser’s travels and adventures have included voyages and expeditions to Alaska, Canada, Africa, Scotland, Ireland & Europe, the Amazon, the Andes, Patagonia, the Caribbean, Australia, the Red Sea, the South Pacific, Hawaii, Norway, Sweden & the North Sea, The Mediterranean, the Aegean, British Columbia, the Yukon, the North Pacific and a remarkable sailing voyage circumnavigating Cape Horn. He continues to travel the world, in search of adventure and a good story.
Fraser is a member of The Academy of Motion Picture Arts and Sciences, The British Academy of Film and Television Arts, The Director’s Guild of America, the Writers Guild of America, and The Explorer’s Club.
Fraser lives in Los Angeles with his wife Marilyn and son Jack, only a few minutes from the back lot at Paramount.
Music Supervisor Dan Wilcox discusses what filmmakers need to know about licensing music for your film and some of the ways to get great songs for cheap. We also discuss topics such as royalty free music, right free music and the wacky world of music licenses.
Darious Britt (aka D4Darious) started posting filmmaking videos back in 2012. Through the years he has learned what works and what doesn't and ways that filmmakers can grow their personal brand by connecting with an audience.
Check out D4Darious on YouTube.
If you have watched The Fresh Prince, In Living Color, Roc or the Disney hits The Princess and the Frog or Treasure Planet, you have most likely laughed at something that came out of writer Rob Edwards' imagination. Rob is not only an amazing writer and teacher, he is also funny as hell. So it was a pleasure to sit down for almost 2 hours and talk with rob about his way of approaching things such as story, character and plot.
Chris Soth joins us today to discuss his career as a screenwriter, including his film Firestorm which made him $750,000 straight out of film school. He also discusses his book "Million-Dollar Screenwriting: The Mini Movie Method." We discuss the idea of mini movies and how screenwriters can use mini movies to structure their screenplays.